Featuring interviews by famous fans and followers, this rare documentary encapsulates the essence of the controversial, enigmatic, and deliciously melancholic bard.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

Adaptation of the play by Oscar Wilde.

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.

Actress Miriam Margolyes reflects on the influences that shaped her career and shares her love of classic literature.

TV adaptation of the Oscar Wilde play. Jack pretends to be his foolish younger brother, Ernest in order to be a model of moral rectitude to his young ward, Cecily. And he intends to propose to Gwendolyn--that is until he discovers that she loves him because his name is Ernest.

Ernie Wise was always part of a double-act. As one half of Morecambe and Wise, Britain's most successful comedy team, he enjoyed the lifestyle of the rich and famous. It was a partnership that lasted 46 years - until Eric died in 1984. Then his "little fat friend" had to go on alone. Being number two in their act was never easy for Ernie, and a new solo act has proved even more difficult. Last Christmas, for the first time in 20 years, he appeared in pantomime. This film examines what drives him to want to make a comeback when he could be enjoying his retirement. He is seen preparing for panto, remembering the great times, reliving the jokes; Ernie reveals all, including the hairpiece and the join.

Adaptation from Oscar Wilde's play.